![]() |
|
|
|
|
|
THE MEMORY OF EARTH We experience the romance and delight of voyaging upon uncharted seas when
the imagination is released from the foolish notion that the images seen in
reverie and dream are merely the images of memory refashioned; and in tracking
to their originals the forms seen in vision we discover for them a varied
ancestry, as that some come from the minds of others, and of some we cannot
surmise another origin than that they are portions of the memory of Earth which
is accessible to us. We soon grow to think our memory but a portion of that
eternal memory and that we in our lives are gathering an innumerable experience
for a mightier being than our own. The more vividly we see with the inner eye
the more swiftly do we come to this conviction. Those who see vaguely are
satisfied with vague explanations which those who see vividly at once reject as
inadequate. How are we to explain what has happened to many, and oftentimes to myself, that when we sit
amid ancient ruins or in old houses they renew their life for us? I waited for a
friend inside a ruined chapel and while there a phantasm of its ancient uses
came vividly before me. In front of the altar I saw a little crowd kneeling,
most prominent a woman in a red robe, all pious and emotionally intent. A man
stood behind these leaning by the wall as if too proud to kneel. An old man in
ecclesiastical robes, abbot or bishop, stood, a crozier in one hand, while the
other was uplifted in blessing or in emphasis of his words. Behind the cleric a
boy carried a vessel, and the lad's face was vain with self-importance. I saw
all this suddenly as if I was contemporary and was elder in the world by many
centuries. I could surmise the emotional abandon of the red-robed lady, the
proud indifference of the man who stood with his head but slightly bent, the
vanity of the young boy as servitor in the ceremony, just as in a church to-day
we feel the varied mood of those present. Anything may cause such pictures to
rise in vivid illumination before us, a sentence in a book, a word, or contact
with some object. I have brooded over the grassy mounds which are all that remain of the duns in which our
Gaelic ancestors lived, and they builded themselves up again for me so that I
looked on what seemed an earlier civilisation, saw the people, noted their
dresses, the colours of natural wool. saffron or blue, how rough like our own
homespuns they were; even such details were visible as that the men cut meat at
table with knives and passed it to the lips with their fingers. This is not, I
am convinced, what people call imagination, an interior creation in response to
a natural curiosity about past ages. It is an act of vision. a perception of
images already existing breathed on some ethereal medium which in no way differs
from the medium which holds for us our memories; and the reperception of an
image in memory which is personal to us in no way differs as a psychical act
from the perception of images in the memory of Earth. The same power of seeing
is turned upon things of the same character and substance. It is not only rocks
and ruins which infect us with such visions. A word in a book when one is
sensitive may do this also. I sought in a classical dictionary for information
about some myth. What else on the page my eye caught I could not say,
but something there made two thousand
years to vanish. I was looking at the garden of a house in some ancient city.
From the house into the garden fluttered two girls, one in purple and the other
in a green robe, and they, in a dance of excitement, ran to the garden wall and
looked beyond it to the right. There a street rose high to a hill where there
was a pillared building. I could see through blinding sunlight a crowd swaying
down the street drawing nigh the house, and the two girls were as excited as
girls might be to-day if king or queen were entering their city. This instant
uprising of images following a glance at a page cannot be explained as the
refashioning of the pictures of memory. The time which elapsed after the page
was closed and the apparition in the brain was a quarter of a minute or less.
One can only surmise that pictures so vividly coloured, so full of motion and
sparkle as are moving pictures in the theatres were not an instantaneous
creation by some magical artist within us, but were evoked out of a vaster
memory than the personal, that the Grecian names my eye had caught had the power
of symbols which evoke their affinities, and the picture of the excited
girls and the shining procession was in some fashion, I know
not how, connected with what I had read. We cannot pass by the uprising of these
images with some vague phrase about suggestion or imagination and shirk further
inquiry. If with the physical eye twenty-five years ago a man had seen a winged
aeroplane amid the clouds it had roused him to a tumult of speculation and
inquiry. But if the same picture had been seen in the mind it would speedily
have been buried as mere fancy. There would have been no speculation, though
what appears within us might well be deemed more important than what appears
without us. Every tint, tone, shape, light or shade in an interior image must
have intelligible cause as the wires, planes, engines and propellers of the
aeroplane have. We must infer, when the image is clear and precise, an original
of which this is the reflection. Whence or when were the originals of the
pictures we see in dream or reverie? There must be originals; and, if we are
forced to dismiss as unthinkable any process by which the pictures of our
personal memory could unconsciously be reshaped into new pictures which appear
in themselves authentic copies of originals, which move, have light, colour, form, shade such as nature
would bestow, then we are led to believe that memory is an attribute of all
living creatures and of Earth also, the greatest living creature we know, and
that she carries with her, and it is accessible to us, all her long history,
cities far gone behind time, empires which are dust, or are buried with sunken
continents beneath the waters. The beauty for which men perished is still
shining; Helen is there in her Troy, and Deirdre wears the beauty which blasted
the Red Branch. No ancient lore has perished. Earth retains for herself and her
children what her children might in passion have destroyed, and it is still in
the realm of the Ever Living to be seen by the mystic adventurer. We argue that
this memory must be universal, for there is nowhere we go where Earth does not
breathe fragments from her ancient story to the meditative spirit. These
memories gild the desert air where once the proud and golden races had been and
had passed away, and they haunt the rocks and mountains where the Druids evoked
their skiey and subterrene deities. The laws by which this history is made
accessible to us seem to be the same as those which make our own learning
swift to our service. When we begin thought
or discussion on some subject we soon find ourselves thronged with memories
ready for use. Everything in us related by affinity to the central thought seems
to be mobilised; and in meditation those alien pictures we see, not the pictures
of memory, but strange scenes, cities, beings and happenings, are, if we study
them. all found to be in some relation to our mood. If our will is powerful
enough and if by concentration and aspiration we have made the gloom in the
brain to glow, we can evoke out of the memory of earth images of whatsoever we
desire. These earth memories come to us in various ways. When we are passive,
and the ethereal medium which is the keeper of such images, not broken up by
thought, is like clear glass or calm water, then there is often a glowing of
colour and form upon it, and there is what may be a reflection from some earth
memory connected with the place we move in or it may be we have direct vision of
that memory. Meditation again evokes images and pictures which are akin to its
subject and our mood and serve in illustration of it. Once, when I was
considering the play of arcane forces in the body, a book appeared before
me, a coloured symbol on each page. I saw the
book was magical, for while I looked on one of these the symbol vanished from
the page, and the outline of a human body appeared, and then there came an
interior revelation of that, and there was a shining of forces and a flashing of
fires, rose, gold, azure and silver along the spinal column, and these flowed up
into the brain where they struck upon a little ball that was like white sunfire
for brilliancy, and they flashed out of that again in a pulsation as of wings on
each side of the head; and then the page darkened, and the changing series
closed with the Caduceus of Mercury and contained only a symbol once more. |
|